Tag Archives: coursework
Showing a narrative through a sequence of images can tell the story that the photographer has in mind, leading the audience through the narrative from start to finish, showing plenty of detail and leaving no room for misunderstanding. However, a sequence is not always possible or desirable. We may want the viewer to do some of […]
This assignment comes at the end of a series of exercises that investigate the use of different lighting techniques. I’ve explored the colour and temperature of light in different weather conditions and through various times of the day; looking at both available light, natural and man-made, as well as photographic lighting. To demonstrate some of the […]
And so to the 11th and final exercise in the light section of the course* where we tackle the photography of shiny surfaces.
Keeping the set-up from the previous exercise on lighting angle, the next photographs taken were using a concentrated light rather than diffused. Fig.01 shows the result when a large, diffused light source is used close to the subject. Soft-edged shadows are present, providing visual clues to the texture, form and shape of the figure. The […]
This exercise shows us the effect of moving a light source around the subject, or rather what information we can give on the subjects colour, shape and form by lighting from different angles.
Having learnt to soften light using diffusers in the previous exercise, this explores how we can change the contrast in a scene that is lit by photographic lighting by filling the shadows and reducing the difference between light and shade. The camera was mounted on a tripod with a 100mm lens looking at a pile of […]
Most photographs are taken during the day using sunlight as their light source.
Having completed the exercises on lighting slightly out of sequence due to the vagaries of the English weather, I’ve already explored the changes in the colour of daylight and the reasons for it in the post Judging Colour Temperature 2, before moving on to similar exercises with artificial light.
In an effort to get through the lighting exercises in a reasonable time (there are a lot of them) I’ve lowered my personal quality control and included the pictures below.
I’d like to think that I’m pretty well versed in night time photography